If you've ever wanted an intimate glimpse into the lives of real-life hoboes and their stories, "The Last of the American Hoboes" is a rare gem that offers just that. This documentary-style film delves into the history of hoboes, from their origins during the Great Depression to their unique culture and symbols. Featuring a rich soundtrack and compelling narratives, this movie is both a historical document and a collectible treasure.
I had the privilege of working closely with Titus Moody on the creation of "The Last of the American Hoboes." Recently, I stumbled upon several online reviews of the film. While some reviews were flattering and mentioned my early work in the music industry, others contained inaccuracies. For instance, the film was not released in the late 1970s but rather around 1971 or 1972. Below, I present a composite of these reviews, corrected for misspellings and factual errors. I have attempted to contact the original posters but have yet to receive a response. Given that these reviews pertain to my work, I believe I have the right to comment on them.
The film provides a historical overview of hoboes, tracing their origins back to the Great Depression. During this period, many people took to riding the rails in search of work. Hoboes developed a unique system of symbols to communicate with each other, marking houses that were friendly to their kind.
One of the most compelling stories in the film is that of Hal Jon Norman, an actor who lost his leg while attempting to jump onto a moving train as a youth. His story serves as a poignant reminder of the dangers and hardships faced by hoboes.
The film's soundtrack, produced by Juddy Phillips, is a standout feature. The best track, "Like A Hobo Should" by Gary Revel, is accompanied by songs from The Chapparral Brothers, Wayne Storm, and Brian Mark. The soundtrack also includes authentic sounds from the street and hobo jungles, contributed by Hobo Actor Journalist The Nobel 'Kid' Chissel, Mike DeTemple, and The Salvation Army Band.
The soundtrack album, with cover photography by Ken Berg, is a unique collectible. The album cover folds out and is a piece of art in its own right. Inside, it credits Gary Revel for writing and performing on about half of the tracks. The album is a testament to the collaborative effort behind the film, described as "A Judy Russell Gary Revel Byron Spears Movement."
The movie premiered in the early 1970s at the Hobo Convention in Britt, Iowa. This annual event celebrates hobo culture and history, making it a fitting venue for the film's debut. The convention continues to be a significant cultural event, drawing hoboes and enthusiasts from across the country.
The film has been described as both enjoyable and entertaining. It offers a rare and authentic look into the lives of hoboes, making it a valuable historical document. The film's unique storytelling approach and rich soundtrack have made it a collectible item for those interested in hobo culture.
"The Last of the American Hoboes" is more than just a film; it's a historical document that captures the essence of hobo culture. From its compelling narratives to its rich soundtrack, the film offers a unique and authentic look into a bygone era. Whether you're a history buff or a music enthusiast, this film is a must-watch.
For more information on hobo culture and history, you can visit the Smithsonian Magazine and History.com.
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