Writing is an unusual profession and one that many feel will never generate full-time wages. So why do some writers--like myself--support themselves as writers and struggle with more than enough work while other writers don't seem to be able to find jobs? For those willing to attack the problem, there really has never been a better time to be a writer.
Writing seems like a tough job to make work for full-time money, but believe it or not, there are plenty of working writers out in the world who have more than their share of work. If you're just starting out or overcoming a slump or would simply like your writing business to go from sporadic hobby to full-time career, you need to get clients.
Getting clients is one of those great mysteries of the writing life. It's a mystery because the writers who can do it rarely talk about it.
And there are a lot of things people believe about this that are just plain wrong.
Here are six ways to get clientssome of which you may not have thought of before. These techniques are appropriate for landing new clients, winning back former clients, and stimulating more business from your regulars.
First, build your network. Networking is one of those things that a lot of people talk about but few people really grasp. For a professional writer, your network is made of the individuals (not the companies, not the industries, not the departments, not the publications) who might hire you. You need to keep tabs on these people. That means holiday cards, occasional e-mails or phone calls, and reminders about your business. I would say that 60% of my business today comes from somebody who knew me (somebody in my network). This is your richest field for business ... mine it!
By the way, people hire writers. Let's say a person at Company A has worked with you for a while when he quits to take a new job at Company B. Guess what? You're now more likely to get your next writing job from Company B than Company A, but if you play your cards right, you may be able to stay on at Company A, too. People are loyal to people; companies are loyal only accidentally.
Second, talk about what you do. Don't become the abominable dinner guest, but make sure you let people know what you do. People know people and believe it or not, there are actually people who are scratching their heads trying to find a writer. Don't belabor the issue, but make sure your friends, neighbors, guests, acquaintances, and mailman know what you do. I once got a year-long gig from a contact my mom made in a bowling alley! (She told one of the bowlers on the other team what I did for a livingand I got a phone call from the other lady's daughter a few days later. She was looking for a very specific type of writer!)
Third, don't overlook sites like e-lance and other places where freelance talent can bid on jobs. True, it's a bazaar on those sites and you will see crazy offers (like "write 100 articles for $12, must be able to complete assignment in three hours") but there are some very respectable businesses that use those sites. Be discerning, but check it out. I use these sites to fill will what I call "dead time," those periods of the year when my business slows down. I've never not made money working these sitesbut you can't bid on every job there. Some of those jobs aren't worth having!
Fourth, develop your own website that promotes your own services. Most creative people do sites that are really online portfolios; that's interesting but I don't think it brings in a lot of work. Instead, use your site to discuss your ideas about writing, your areas of expertise, and those sorts of things. You can always talk samples once a client calls. A year ago, I would not have listed this as a strategy because although I had a website, it did not bring in any business. It now hasI have found a pretty strong new client who came to me on the strength of the website.
(Mostly a website is something that is nice to have to help confirm to your new client that he or she made a good choice. People look at your website, but they don't find writers that way. I think that's changing.)
Fifth, try direct mail. You have to be very clever with this. The letter you write must be persuasive and compelling and it must be sent by first-class mail to a real person (by name). The less is looks like direct mail (a.k.a. junk mail) the more likely it will get through. Put a real stamp on it. Address it to a real person, even by hand. This letter should present your business and what you can do.
You have to scope out target clients. Find some businesses that might need your services, call to find out who hires freelance writers, and send a letter directly to that person. Call a few days later. This is a tough program because you need to keep after it, but it does work, particularly if you are diligent and target the right folks and have a compelling sales letter. This is the best way to get new clients; in my experience, it works better than cold calling, which I have never had much success with. (Not to mention the fact that it's less fun than going to the dentist.)
Sixth, contact a newspaper and pitch a column. Don't just contact random newspapers, but don't be shy about approaching major papers or local hometown newspapers. Look it over, see what's missing, write up a sample column or two, and pitch it by e-mail or letter directly to the appropriate editor. I got my first major writing job that way (I was a stringer for Variety) and the second time I tried it, I got a job writing a column that is entering its fifth year. This works. Two drawbacks: it usually doesn't pay well and you have to be very careful and make sure you target your offering to the newspaper's needs.
If you scoped out the right publications, you could probably get a job as a movie critic or gardening expert or travel writer. You need to be a matchmaker, though. Don't propose anything unless it seems like a perfect fit for the newspaper.
You may be excited about that last idea but think for a minute. Who needs a low-paying writing job? Well, maybe you do. Regular appearances in an important publication build your credibility as a writer. You can often parlay those writing credits into more lucrative (but less visible) writing jobs in similar industries. Newspapers help fill out your clip files, and sometimes you can re-sell articles or use a body of research to generate similar stories for better-paying magazines or websites.
Writing is a great life, but a lot of it is work, and work is work. Getting clients is not easy for any professional and writers have to do the same amount of chattering, networking, direct mailing, and scouting out opportunities that other people do.
What's amazing to me is that some of these things work really well. Very often, when you do connect with a great long-term client, you'll hear another side to the story. Many businesses dream of finding a reliable, high-quality writer. Right now there are companies and clients wondering how on earth they are ever going to get their brochures and articles and press releases and websites written.
Your job is not "selling" them your services. Your job is really just making sure they know that you're there and ready for assignment.
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