Sensibility Exuded in Fashionable Dresses

Whatever the shifting moods round her, Sophie Theallet is blinkered in her own vision for delivering sensual clothes that hint in a nonchalant Parisian sensibility. While resort paid homage towards the chic, masculine attitude of Zelda Fitzgerald, spring riffed on Romy Schneider's mesmerizing, feminine allure as depicted in Jacques Deray's late-sixties film La Piscine. Astounded by the diversified types of works given to us, we must admire the creativity of designers as well as their imaginative match of colours.

Obviously, Schneider's character, Marianne, who spent the majority of her screen amount of time in a swimsuit, can not be credited for inspiring these silhouettes: From floor-sweeping cotton frocks in tulip prints, to silken pencil skirts and blouses, everything here followed the ladylike dress codes which have fast end up being the designer's trademark. Theallet's utilization of color, however, is really a different story. "It starts soft and gets stronger in mention of the the film's building sexual tension," she explains of her ice-white cotton dresses that are later then silk dress wear and bias-cut floor-length numbers that go by inside a blur of tangerine, fuschia, sky blue, and moss.

The palette, perhaps accidentally, falls using the bright, solid-color spectrum seen elsewhere, but Theallet interprets it her very own way. One black chiffon dress seems to be simply that, but because the model sashays in to the light, its electric green underlay becomes apparent. While nothing here strays not even close to familiar territory, there's enough swaths of foolproof silk to fulfill Theallet's core devotees.